Bo Nun Amuin (Sacred Mens Mask)
Baule, Cote d'Lvoire
19th-Mid 20th Century
Wood, Pigment
(Photo from Musuem for African Art)
Bo nun amuin masks are considered to be too powerful to be viewed; therefore, they are hidden away and only brought out for special ceremonies. The mask is made out of sacrificial materials, wood, and elements from different animals that are considered fearsome. They are recognized as sacred objects, but are not acknowledged in the public. Amuin is translated to “sacred,” making amuin shrines one of the most powerful art forms among the Baule peoples. Only men can own shrines such as the bo nun amuin, and are often hidden from woman all together. Since women were not permitted to see this mask, it is among one of the most feared.[1] They are said to carry magical threats, so when it is danced it is protecting the village against the threats.
[1] Hope B. Werness, The Continuum Encyclopedia of Native Art: Worldview, Symbolism, and Culture (New York:The Continuum International Publishing Group Inc), 42.
19th-Mid 20th Century
Wood, Pigment
(Photo from Musuem for African Art)
Bo nun amuin masks are considered to be too powerful to be viewed; therefore, they are hidden away and only brought out for special ceremonies. The mask is made out of sacrificial materials, wood, and elements from different animals that are considered fearsome. They are recognized as sacred objects, but are not acknowledged in the public. Amuin is translated to “sacred,” making amuin shrines one of the most powerful art forms among the Baule peoples. Only men can own shrines such as the bo nun amuin, and are often hidden from woman all together. Since women were not permitted to see this mask, it is among one of the most feared.[1] They are said to carry magical threats, so when it is danced it is protecting the village against the threats.
[1] Hope B. Werness, The Continuum Encyclopedia of Native Art: Worldview, Symbolism, and Culture (New York:The Continuum International Publishing Group Inc), 42.